Art and Authenticity in the Age of Fake News
For a fully-accessible version of this online exhibition, contact museum@american.edu.
Marietta Minnigerode Andrews (1869-1931), Sketchbook 1892, trip to Europe and United States, 1892 |
Black ink, pen, pencil, and watercolor on white paper, 10 7/8 × 9 15/16 in. (27.6 × 25.2 cm) |
Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mrs. Armistead Peter III (Caroline Ogden-Jones) |
Left page: "The Young Godfather,” "From the Fresco in Campo Santo...Purgatory," and "Poppies from Pisa.”
Right page: Two donkeys from Capri ("Michelangelo" and "Raphael"), Woman on a donkey, and a window in Rome.
Marietta Minnigerode Andrews was the first female instructor at the former Corcoran School of Art in Washington, DC, where she herself had studied drawing. Inspired by her studies and instructors, Andrews joined her cousin on a trip to Italy in 1892. Since the seventeenth century, Western artists had visited Italy as part of the Grand Tour—a journey of several weeks or years to see canonical artworks and landmarks firsthand. This object reveals the extent to which artists’ sketchbooks do not necessarily present an unmediated view of reality. In this case, Andrews’s classical taste and training informed her interest in such subjects as the windows, poppies, donkeys, and even the cherub seen here. As much as her sketchbook is a record of her trip, then, it is also a record of the various texts and images she consulted prior to it.
Portfolio
(Click on the image below to launch a full-size slideshow)
Marietta Minnigerode Andrews (1869-1931), excerpt from Memoirs of a Poor Relation: Being the Story of a Post-War Southern Girl and Her Battle with Destiny [p. 344], 1927. New York: E. P. Dutton & Co.
Marietta Minnigerode Andrews (1869-1931), A Window, Rome, 1892. Watercolor on off-white paper, 11 1/2 x 9 in. American University Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mrs. Armistead Peter III (Caroline Ogden-Jones Peter). 2018.15.2622.
Giovanni Battista Piranesi (1720-1778), The Piazza del Popolo (Veduta della Piazza del Popolo) (Vedute di Roma), c. 1750. Etching, 14 15/16 x 21 1/4 in. Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1937.
Marietta Minnigerode Andrews (1869-1931), excerpt from Memoirs of a Poor Relation: Being the Story of a Post-War Southern Girl and Her Battle with Destiny [p. 344], 1927. New York: E. P. Dutton & Co.