top of page
This image has been removed due to copyright limitations

Ben Shahn (1898-1969), Frederick Douglass III, 1965 |

Color photo screenprint, printed in black ink and raw umber, 22 × 16 3/4 in. (55.9 × 42.5 cm) | Gift of Warren Robbins, Warren Robbins Center for Cross Cultural Communication | 1993.3.5 © 2020 Estate of Ben Shahn / Licensed by VAGA at Artists Rights Society (ARS), NY.

 

Pictured: Smithsonian American Art Museum, Gift of the Frederick Douglass Institute of Negro Arts and History, 1967.97.3

 

Frederick Douglass (1818-1895) was the most photographed man of the nineteenth century. Thus, his legacy lives on in the freedoms he helped achieve and in his writings, but also in numerous portraits. Working from an 1894 photograph, Ben Shahn created this screenprint—one of a four-part series about the abolitionist. Rather than an accurate reproduction of the portrait, however, the print is a free-hand drawing of it—one that borders on caricature. The artist pictured other public figures—both Black and white—in a similar way. In many cases, this approach humanized Shahn’s famed subjects, but, in this case, it runs counter to Douglass’s own values. The activist embraced photography as a tool to disseminate truthful images of African Americans. Commissioned by the National Museum of African Art, the series was meant to honor Douglass but illustrates how much can get lost in translation. 

Portfolio

(Click on the image below to launch a full-size slideshow)

bottom of page