Art and Authenticity in the Age of Fake News
For a fully-accessible version of this online exhibition, contact museum@american.edu.
Mabel Dwight (1875-1955), Portrait of Paul Robeson as Emperor Jones, 1930 |
Lithograph, sheet: 22 × 16 in. (55.9 × 40.6 cm) |
Gift from the Trustees of the Corcoran Gallery of Art (Museum Purchase) |
2018.15.925
In this work, printmaker Mabel Dwight depicts Paul Robeson as Emperor Brutus Jones, who the actor played on stage in 1925 and on film in 1933. Written by Eugene O’Neill, The Emperor Jones is a retelling of the Parable of the Prodigal Son in which a black man from South Carolina leaves the south and ultimately becomes the self-appointed emperor of an unnamed Caribbean island. Corrupted by money and power, he is dethroned and killed by his own people, but not before repenting for his sins—ostensibly gambling, lust, and murder, but, in actuality, not knowing his “place.” In this print, Dwight relies upon Robeson in order to create a psychological portrait of “Jones” as he tries to outrun his men. Created during the Great Migration, this work, the play, and the film grapple—whether intentionally or not—with mainstream fears around the presence of black men in the urban North.
Portfolio
(Click on the image below to launch a full-size slideshow)
The Emperor Jones by Eugene O’Neill. New York: Boni & Liveright, 1928.
Theatrical release poster of the 1933 film adaptation of Emperor Jones. Distributed by United Artists.
Mabel Dwight, Paul Robeson as Emperor Jones, c. 1930. Lithograph, image: 14 11/16 x 12 7/8 in., sheet: 17 7/8 x 15 in. Philadelphia Museum of Art, Purchased with the Lola Downin Peck Fund from the Carl and Laura Zigrosser Collection, 1974.
The Emperor Jones by Eugene O’Neill. New York: Boni & Liveright, 1928.